"It's sort of a parody of its own subject matter, a parody of seriousness. The aesthetic object has become a displaced subject. The cartoony aspect of it, the peeling, the Pollock-like style, the Barnet Newman-like vertical lines are present. It's a group of fragments of different experiences that I've witnessed. Placing myself as a visual witness in abstraction, and recategorizing the deck of cards, representing the process as a critique."
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