Today

Chunklet has posted a 45 min. audio montage of Fugazi's onstage banter here.

Facetious questions to the audience ("what else can I do for you you little mtv-generation piece of shit?") are a highlight.

Slow Pans

Kenneth Anger's Mouse Heaven (2004), described as "a fantasy featuring the Birnkrant collection of extremely rare vintage Mickey Mouse toys" is just as erotic as his Scorpio Rising (1964). It's the cheesecake slow panning camera:

Allison Shulnik

Some of the most gunked-up paintings I've seen. Thicker than some in the abex warehouse at Christie's. Inches thick. And they look like Chaim Soutine still-lives. Video here.

Horse Dance of the False Virgin

Mike Kelley, Extracurricular Activity Projective Reconstruction #32, Act 11: Horse Dance of the False Virgin, at the Judson Church Nov 18 2009, New York, NY during Performa09. Choreography by Kate Foley, music by Mike Kelley and Scott Benzel. Scored by Devin McNulty.

Candice Breitz, Him (1968-2008) and Her (1978-2008)

At the Power Plant, Toronto

Roberta Smith interview

This spring, Irving Sandler asked Roberta Smith about what's fashionable in art today. I like her honest (as always) answer:

"Rail: ...What are your thoughts about what is considered the fashionable style at the moment?

Smith: Oy. There are probably several, with most of them involving some form of appropriation, whether the medium is abstract painting, or the juxtaposition of odd found objects. I think the notion that everything—whether materials or narrative—needs to be found, not made is a bit of an obsession. Another one is this reverence for the late 1960s and early 70s. It seems like a certain kind of early 70s conceptualism is considered a kind of antidote to the market and the corruption—I’m using scare quotes—of object-making. I find that kind of tiring, or perhaps a way of hiding from your own time. There’s also resurrection-for-resurrection’s sake: the rediscovery of forgotten artists just because they’re neglected. Some of these artists aren’t that interesting, but the mere fact of their having been overlooked makes them heroic in some people’s eyes."

I also like alot of other things she says in the full Brooklyn Rail interview here.